My opinion (there are other answers!) is that it really depends on how you plan to animate them. I'm a firm believer in having a base set of art work which is adapted as necessary for multiple rigs. I don't try to have one rig for all shots - if I want a close-up of (say) a claw penetrating the adve...

Thanks. I'll take a longer look at this... at first sight, a clever and deceptively simple concept!

Interesting approach! Love to see the file!

is this any use?
https://www.mediafire.com/file/4v3rrmq9 ... .moho/file

@hayasidist The sample video looks so smooth, I still have some questions on it: - is it the color gradient shape created with Color Points tools and then animate its rotation or point color? - the stroke looks like static, do you animate the base color's Value to control the drift color's Value? -...

there are other ways to achieve similar effects --- exactly which approach would depend on what the desired end result. However, by way of illustration, this uses a stroke which has drift to control Value (not Hue), and the colour comes from a layer with a single shape - colour gradient / animated s...

Let's say I set the brush's main color to Red & drift color to Green and draw a circle, then add keyframe at frame 12th. Now I wanna animate the drift color Green to Cyan at frame 24th while keep the main color Red unchanged. Had a thought... not quite what you wanted but... you can animate the...

there are some things in Moho that can't be animated but it would be good if you could. This is one example. Another is layer origin. I'm sure there are more that other folk might mention. However, in this case, I can imagine a couple of workaround options. Both require you to have two identical sha...

Here are some examples of using moho's 2d vectors in 3d. https://youtu.be/KFcyaKehHxc -- external view of a building in a landscape https://youtu.be/JwzmQMD5Q2I -- internal view of a room https://youtu.be/PjFulEo2auw -- trees / mountains / terrain The common lesson I took from all of these is one of...

the forum has been suffering from access problems, so LM have relocated it to .net (not .com) https://www.lostmarble.net/forum/search.php?search_id=newposts the issue I have is that I can't seem to stay logged in across sessions, so I need to log in every visit. No biggie, but you can't see "ne...

far canal!!! yep -- reproducible here. Brilliant detective work!

yeah! impressive. well done. I love the storyline idea. Great logline potential in that closing narrative - "Salvation is at the end of the world!"

Tiny observation -- maybe rebalance the voice / music from about 1:00 onwards (where the music crescendos).

slowtiger wrote: ↑Thu May 22, 2025 9:50 am You can keep any bone invisible by making it a shy bone (and reverse that, of course). This is useful f you have a rig with many small bones cluttering your view.

I think that just hides the bone, not the parenting arrows? (same as hiding coloured bones).

if I understand you correctly - you have a SB action that can turn off the visibility of the target layer (i.e. the layer of which hand r2 is a reference copy).

That's most probably going to cause the reference copy to follow the target's visibility.

Above the hand r2 layer is a group (with a broken reference icon). It's not clear from the image if that is a switch layer, but if it is, then it's likely that hand r2 is not the active child. If that isn't it then: * The timeline shows a keyframe in layer visibility - check that is not set to "...