Thanks Barry! Very glad you like my films! In all of them I try to avoid the computer feel by discarding all interpolations (by animating by hand, frame by frame) and generated surfaces (by using natural media paint software for textures and sets).
But "The Secret Miracle" is taken a step further (or backwards, if you like), as it is painted 100% by hand with real acrylic, ink and pencil on real paper - no simulations. I then scanned or - in instances when paper was to big to go in the scanner - photographed the paintings. They where then cut out in a photoshop type program, and finally imported into Moho and animated (again by hand) there.
So this is my most authentic (if that is the right word) animation, since I played around with bloopers ink directly on the filmsurface back in the sixties - and it is very satisfying that it comes across.
