Example of ragdoll physics
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Yeah, but it would be nicer if she wasn't acting like she enjoyed it so much.
Seriously, these kinds of physics are easy to do in 3D -- we used to refer to it as the "America's Home Video" animation, since the videos on that show are mostly humans falling down or otherwise suffering physical abuse. It's fun to setup a rigged biped in 3D and push them down the stairs, or have them hit a table that breaks away.
To do it properly you want to incorporate some element of actual motion, as only an unconscious person would be totally limp. I would usually have about 20% mix of real response to the ragdoll stuff to be convincing.
In another thread Gary is using a Poser file to rotoscope (sort of) his AS characters. The same thing could be done with one of these types of files -- perhaps if I get the time I'll load up one of my many animated 3D scenes and see what I can translate into AS
Seriously, these kinds of physics are easy to do in 3D -- we used to refer to it as the "America's Home Video" animation, since the videos on that show are mostly humans falling down or otherwise suffering physical abuse. It's fun to setup a rigged biped in 3D and push them down the stairs, or have them hit a table that breaks away.
To do it properly you want to incorporate some element of actual motion, as only an unconscious person would be totally limp. I would usually have about 20% mix of real response to the ragdoll stuff to be convincing.
In another thread Gary is using a Poser file to rotoscope (sort of) his AS characters. The same thing could be done with one of these types of files -- perhaps if I get the time I'll load up one of my many animated 3D scenes and see what I can translate into AS
Please describe.mkelley wrote:To do it properly you want to incorporate some element of actual motion, as only an unconscious person would be totally limp. I would usually have about 20% mix of real response to the ragdoll stuff to be convincing.
Do you mean you would take the keyframes resulting from unconscious ragdoll and manually impose human reactions on that foundation?
I can only tell you what we do with it in 3D Max.
There you can have the ragdoll physics in your rigging and you can also have a "normal" biped behavior, and then you can mix the two. So, for example, as a person is hit by a log (this is an animation I did so I'm pretty familiar with it) the body reacts as a rag doll but then the human flails their arms as a real person would in an effort to regain their balance. By varying the percentage of the mix you can achieve the "real" look.
The percentage controls the limb -- imagine the physics of the arm being knocked backwards by the log, and then attempting to reach forward. The forward reach is modified to whatever degree is necessary to look natural.
All of this is much easier in practice than it is to describe -- we simply keyframe the "normal" reactions and then let the ragdoll physics simulation run and then blend the two, judging visually how much to add of each. Otherwise, as I said, it looks as if the human is unconscious (which is all right sometimes, but not usually what you want).
Or another example -- a person falls but attempts to turn their body to land on their feet (but then hits and crumples further). Once again, you need the basic motion of keyframing the attempt to stand, mixed in with the ragdoll physics of the fall.
If you like this kind of thing there is a 3D package called Endorphin which has a trial (free) version for playing with. Here's the web site:
http://community.naturalmotion.com/
You could conceivably produce the same sort of movie animations that Gary is using with Poser and bring them into AS for rotoscoping. If you really like this sort of thing you can waste... um, spend a whole lot of time playing around with it. I think it's something everyone goes through once in the phase of 3D (kind of cool to "throw around" a person who can't actually get hurt). After a while the novelty wears off, though.
There you can have the ragdoll physics in your rigging and you can also have a "normal" biped behavior, and then you can mix the two. So, for example, as a person is hit by a log (this is an animation I did so I'm pretty familiar with it) the body reacts as a rag doll but then the human flails their arms as a real person would in an effort to regain their balance. By varying the percentage of the mix you can achieve the "real" look.
The percentage controls the limb -- imagine the physics of the arm being knocked backwards by the log, and then attempting to reach forward. The forward reach is modified to whatever degree is necessary to look natural.
All of this is much easier in practice than it is to describe -- we simply keyframe the "normal" reactions and then let the ragdoll physics simulation run and then blend the two, judging visually how much to add of each. Otherwise, as I said, it looks as if the human is unconscious (which is all right sometimes, but not usually what you want).
Or another example -- a person falls but attempts to turn their body to land on their feet (but then hits and crumples further). Once again, you need the basic motion of keyframing the attempt to stand, mixed in with the ragdoll physics of the fall.
If you like this kind of thing there is a 3D package called Endorphin which has a trial (free) version for playing with. Here's the web site:
http://community.naturalmotion.com/
You could conceivably produce the same sort of movie animations that Gary is using with Poser and bring them into AS for rotoscoping. If you really like this sort of thing you can waste... um, spend a whole lot of time playing around with it. I think it's something everyone goes through once in the phase of 3D (kind of cool to "throw around" a person who can't actually get hurt). After a while the novelty wears off, though.