Thanks for sharing. I was looking forward this video. Funks has a point, but I figured it out by watching the layer palette.
The technique is a switch layer with group layers for the side and front view. Where the switch occurs, you move points to match the view. There is one neat trick where she makes the upstage eye invisible by changing the outline and fill alpha to zero. It's made visible (step key) just as the head turns front.
Overall, it's a basic approach, but done with good knowledge of animation principles. For example, she has the head look down in an arc during the turn, which effectively hides the switch. She knows her stuff.
