TMOTMATWAT (The first real Goo Creations cartoon)

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Rolz
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TMOTMATWAT (The first real Goo Creations cartoon)

Post by Rolz »

Hello everybody. Here's our second cartoon (but the first "proper" one).

TMOTMATWAT
(RealMedia 10, 8.5MB, 5 minutes long)

The Forest is out of acorns. Skippy is starving. A critical situation, that must be solved.

I know it has a few flaws, but I'm still a beginner, so some tips would be appriciated! Thanks and enjoy. ;)
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jahnocli
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Post by jahnocli »

That was good! Obviously a lot of work went into it. The pace was a bit too slow in the middle, but it was entertaining, and I loved the little bits of humorous business. Keep up the good work!!

J
You can't have everything. Where would you put it?
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cribble
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Post by cribble »

TMOTMATWAT

just becareful with the title, but it was real good.

Storyline got thin towards the end, but you filled out the 5 minutes nicely enough.

Audio wise, everything was mixed nicely, one criticism is the voice acting and possible processing. Compress the voices so it doesn't dip out of the mix like it did, and use a pop sheild, or even your mum's tights (any sort of mesh material will do) to stop blasts of wind from P's, B's and whistles of T's and S's etc..

Otherwise, well done, extremely exception first production (better then my crap). Boner.
--Scott
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Rolz
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Post by Rolz »

Thanks guys! :D
jahnocli wrote:The pace was a bit too slow in the middle
Yeah, I was afraid of that... I wanted to show that they are getting more tired as the day goes by, but I stretched that part a bit too long.
cribble wrote:TMOTMATWAT

just becareful with the title
Hehe, yeah, I know. Jeroen came up with that title and I think that was on purpose...
cribble wrote:Compress the voices so it doesn't dip out of the mix like it did, and use a pop sheild, or even your mum's tights (any sort of mesh material will do) to stop blasts of wind from P's, B's and whistles of T's and S's etc..
That was Jeroen. I only noticed the blowing P's and B's in the roles he played. I'll tell him to avoid that next time.
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T
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Post by T »

I liked it. Better than the first cartoon I made, but let's not go there.
Rolz wrote:That was Jeroen. I only noticed the blowing P's and B's in the roles he played. I'll tell him to avoid that next time.
Actually, it's impossible to avoid pops without a pop shield, unless you want your voice acting to sound really contrained and unnatural. Better to let him "go crazy" and be natural with a pop shield in front of the mike. Compression would definitely help, too.

All in all, well timed, and the thin parts could be beefed up with a little interaction.

Good show!
"T"
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Jeronimus
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Post by Jeronimus »

What do you mean with a pop shield exactly? Just, like... something between you and your mic? Just so I know what I have to do different next time.

And yes, I did come up with the title. Originally I wanted it to be called TMOTMATWT, but then I noticed you couldn't say it... and I felt like adding something, sneakily.

Well, I'm glad you liked it anyway.
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jorgy
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Post by jorgy »

This just happens to be the first one that comes up on google (so I don't recommend this particular brand or model):

http://www.turnkey.co.uk/tkweb/stockdet ... ontext=WEB

But basically it takes out the harshness of P's and B's and T's, etc.

Someone else recommended making one out of pantyhose (tights, nylons) etc. In my (amateur) experience, they make a big difference.
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cribble
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Post by cribble »

A cheaper option is to step away from the mic and preamp it more, this is where compression will come in handy.

Also, make sure you deaden the room somehow - i find putting my mic in my cupboard (which is full of clothes) will pick up the vocals really well avoiding echo's and unwanted reverb. I've only just discovered this after a recent attemp with voice acting, so i've got parts which are room natural and parts which are dead as hell, so it sounds odd... oops.
--Scott
cribble.net
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Jeronimus
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Post by Jeronimus »

Found out a socks works alright too! You'll notice the difference in our next short, which will be coming very soon. :D
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